<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div>Back to the BE issue:</div><div><div><a href="http://www.americanradiohistory.com/Archive-Broadcast-Engineering/BE/70s/BE-1979-05.pdf">http://www.americanradiohistory.com/Archive-Broadcast-Engineering/BE/70s/BE-1979-05.pdf</a></div><div><div style="border-collapse: separate; font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size: medium; "><br></div><div style="border-collapse: separate; font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size: medium; ">The late Charles Anderson has an article "The Progression of Videotape Recording" on page 62.</div><div style="border-collapse: separate; font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size: medium; "><br></div><div style="border-collapse: separate; font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size: medium; ">On page 65 Recortec (the tape cleaner co.) touts it's modified Sony VO-2860 as "Quad Quality in 3/4" Format. Recortec tripled the tape and scanner speeds to provide direct high-band recording.</div></div><div style="border-collapse: separate; font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size: medium; "><br></div><div style="border-collapse: separate; font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size: medium; ">Page 78 has the start of "Magnetic Tape's Impact on Broadcasting," with a sidebar by John Mullin about the first playback of audio for Bing Crosby from a Magnetophone used to record Crosby's first show of the 1947-48 season... and his history with the company.</div><div><br></div><div>Dave Sieg will want to read the article by Birger Anderson of Computer Image Corp., aout the Animac, Scanimate and Caesar video art tools on Page 86.</div><div><br></div><div>On Page 92, KTLA/Golden West Broadcasting's VP of Engineering notes that Type C VTRs had been on the property for just eight months. The LA station's four original VR-1000's purchased in 1959 "are still running today, 20 years later, in a highly modified form." In 1975 KTLA automated its air playout using two Ampex ACR-25 Quad cart machines controlled by a computer system. </div><div><br></div><div>TV in the San Francisco Bay Area is recapped beginning on Page 94... </div><div><br></div><div>On Page 119, the late NBC/freelance film and videotape editor Art Schneider recaps the growth of Videotape Editing on Page 119, with recollections of razor blading Quad tapes to match a kinescope edit, and how off-line edit suites advanced the art and business.</div></div><div><br></div><div>Interesting reading if you can handle the scanning quality. </div><div><br></div><div>Cheers,</div><br><div>
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