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<font face="Tahoma">WOW!<br>
<br>
Thanks, Ted.<br>
<br>
<br>
<br>
<br>
</font>
<div class="moz-cite-prefix">On 3/8/14, 4:03 AM, Ted Langdell wrote:<br>
</div>
<blockquote
cite="mid:09918913-90C7-4C61-BF6A-87EB8B5878E8@quadvideotapegroup.com"
type="cite">
<pre wrap="">
</pre>
<br>
<fieldset class="mimeAttachmentHeader"></fieldset>
<br>
<div>There's more hours of reading ahead at the <a
moz-do-not-send="true" href="http://www.hagley.org">Hagley
Museum and Library</a>, and details about RCA's involvement in
television tape recording. Among a lot of other things!</div>
<div><br>
</div>
<div>The <a moz-do-not-send="true"
href="http://www.hagley.org/info">Hagley Museum</a> is at the
site of the original DuPont gunpowder mills, family estate and
gardens, while the Library is in the Greenville area of
Wilmington.</div>
<div><br>
</div>
<div>The Wilmington, Delaware institution has a growing on-line
collection that encompasses material from companies like DuPont,
ConRail and RCA as part of collections that document the history
of American business.</div>
<div><br>
</div>
<div>The Hagley was <a moz-do-not-send="true"
href="http://www.hagley.org/12/20/library-news/sarnoff-clir-grant">recently
awarded $291,500 </a>to process and catalog the David Sarnoff
Library collection, which was housed in Princeton, New Jersey
before the Sarnoff closed in 2009.</div>
<div><br>
</div>
<div>While the College of New Jersey received the <i>objects</i>
in the collection, the Hagley received nearly 3,000 linear feet
of documents.</div>
<div><br>
</div>
<div>They include David Sarnoff's personal papers, RCA corporate
papers and publications and some materials from NBC.</div>
<div><br>
</div>
<div>Some of the materials were digitized by the Sarnoff Library
before the Sarnoff closed. Others have been digitized since
processing began.</div>
<div><br>
</div>
<div><a moz-do-not-send="true"
href="http://www.hagley.org/2013/08/sarnoff-digital-collection">http://www.hagley.org/2013/08/sarnoff-digital-collection</a></div>
<div><br>
</div>
<div>The online collections include: </div>
<div>
<ul style="margin-top: 1.5em; margin-right: 0px; margin-bottom:
1.5em; margin-left: 0px; padding-top: 0px; padding-right: 0px;
padding-bottom: 0px; padding-left: 30px; color: rgb(0, 0, 0);
font-variant: normal; letter-spacing: normal; line-height:
24px; text-align: start; text-indent: 0px; text-transform:
none; white-space: normal; word-spacing: 0px;
-webkit-text-stroke-width: 0px; background-color: rgb(255,
255, 255); ">
<li><span class="Apple-style-span" style="font-size: 12px; "><a
moz-do-not-send="true"
href="http://digital.hagley.org/cdm/search/searchterm/RCA%20Newsletters%20-%201943-1986/field/foldea/mode/exact/page/1"
style="text-decoration: none; color: rgb(34, 84, 121)
!important;">RCA Laboratories Newsletters, 1943-1986</a></span><span
class="Apple-style-span" style="font-size: 12px; ">: internal
publications used to disseminate information about
research related to RCA product development</span></li>
<li><span class="Apple-style-span" style="font-size: 12px;"><a
moz-do-not-send="true"
href="http://digital.hagley.org/cdm/search/collection/p16038coll11/searchterm/RCA%20Engineer/field/title/mode/exact/conn/and/order/nosort"
style="text-decoration: none; color: rgb(34, 84, 121)
!important;">RCA Engineer, 1955-1974</a>: technical
journal published by RCA’s Product Engineering Division in
New Jersey</span></li>
<li><a moz-do-not-send="true"
href="http://digital.hagley.org/cdm/search/collection/p16038coll11/searchterm/RCA%20Annual%20Reports/field/all/mode/exact/conn/and/order/nosort"
style="text-decoration: none; color: rgb(34, 84, 121)
!important; font-size: 12px;">RCA Annual Reports,
1921-1945</a></li>
<li><span class="Apple-style-span" style="font-size: 12px;"><a
moz-do-not-send="true"
href="http://digital.hagley.org/cdm/search/collection/p16038coll11/searchterm/advertising/field/subjec/mode/all/conn/and/order/nosort"
style="text-decoration: none; color: rgb(34, 84, 121)
!important;">RCA/Victor advertisements</a>:
advertisements for RCA/Victor products primarily from the
first half of the 20th century</span></li>
</ul>
</div>
<div>Click here: </div>
<div><a moz-do-not-send="true"
href="http://digital.hagley.org/cdm/landingpage/collection/p16038coll11">http://digital.hagley.org/cdm/landingpage/collection/p16038coll11</a></div>
<div><br>
</div>
<div>to see some recently digitized 1930s Broadcast News magzines,
and a link to <a moz-do-not-send="true"
href="http://digital.hagley.org/cdm/search/collection/p16038coll11">browse
all the items currently digitized</a>.</div>
<div><br>
</div>
<div>
<div>I found using the "Browse all items" link, sorting by
subject and the maximum number of items worked well. 4 loooong
pages, ending with issues of the RCA Engineer.</div>
</div>
<div><br>
</div>
<div>You can download many of the PDFs... and make adjustments to
the viewing window in the viewer.</div>
<div><br>
</div>
<div>To get you started, here's a link to the <a
moz-do-not-send="true"
href="http://digital.hagley.org/cdm/compoundobject/collection/p16038coll11/id/19104/rec/162">Feb/March
1968 issue of RCA Engineer</a>, </div>
<div><a moz-do-not-send="true"
href="http://digital.hagley.org/cdm/compoundobject/collection/p16038coll11/id/19104/rec/162">http://digital.hagley.org/cdm/compoundobject/collection/p16038coll11/id/19104/rec/162</a></div>
<div><br>
</div>
<div>with articles that include:</div>
<div><br>
</div>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0
40px; border: none; padding: 0px;">
<div>
<div>Spectrum Analysis of Magnetic Video Recorder FM System</div>
</div>
<div>
<div>Correction of Hue and Saturation Errors in TV Tape
Recording</div>
</div>
<div>RCA's TA-19 Video Processor</div>
<div>
<div>Improving Automatic Sensitivity Performance in Color TV
Film Cameras</div>
</div>
<div>and </div>
<div>The World's Most Powerful Television Transmitter</div>
<div><br>
</div>
</blockquote>
Here's a look at RCA color studio cameras from 1939-69 :
<div>]<a moz-do-not-send="true"
href="http://digital.hagley.org/cdm/fullbrowser/collection/p16038coll11/id/30294/rv/compoundobject/cpd/30341/rec/571">http://digital.hagley.org/cdm/fullbrowser/collection/p16038coll11/id/30294/rv/compoundobject/cpd/30341/rec/571</a><br>
<div><br>
</div>
</div>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0
40px; border: none; padding: 0px;">
<div>
<div>These 47 pictures include a (1947?) view of a 4-camera
studio at WNBT/NBC New York with cameras pre-dating the 1951
"Coffin" TK-40 style cameras used in the color TV standard
demonstrations. Dichroic mirrors, anyone? They show them.</div>
</div>
<div>
<div><br>
</div>
</div>
<div>
<div>There are the cameras used at WNBW, Washington, DC, and
what appear to be others used in the color TV field tests
from NBC, NY... Studio 3H if the stencils on the lighting
instruments are a valid clue. And a selection of pictures
of TK-40s and TK-41s</div>
</div>
</blockquote>
<div>
<div><br>
</div>
<div>Television film and video recording are mentioned in the <a
moz-do-not-send="true"
href="http://digital.hagley.org/cdm/compoundobject/collection/p16038coll11/id/14697/rec/3">1956
RCA Labs Research Department Annual Report</a> (click on the
link for Page 69). There are other interesting items in the
report.</div>
<div><br>
</div>
<div>I saved the Quad for last...</div>
<div><a moz-do-not-send="true"
href="http://digital.hagley.org/cdm/compoundobject/collection/p16038coll11/id/30293/rec/581">http://digital.hagley.org/cdm/compoundobject/collection/p16038coll11/id/30293/rec/581</a></div>
<div><br>
</div>
</div>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0
40px; border: none; padding: 0px;">
<div>
<div>Here are pictures... beginning with a TRT-1AC captioned
for release on April 12, 1981... including RCA's linear
television tape recorder used on May 12, 1955 for "the first
transmission of a tape recorded color TV program over
commercial network facilities" from NBC-NY to 3M in
Minneapolis.</div>
</div>
</blockquote>
<div>
<div><br>
</div>
<div>The development of RCA's Heterodyne approach to recording
and playing color from Quad tape is described in the <a
moz-do-not-send="true"
href="http://digital.hagley.org/cdm/compoundobject/collection/p16038coll11/id/23611/rec/61%0A">February/March,
1958 RCA Engineer</a></div>
<div>
<div><a moz-do-not-send="true"
href="http://digital.hagley.org/cdm/compoundobject/collection/p16038coll11/id/23611/rec/61">http://digital.hagley.org/cdm/compoundobject/collection/p16038coll11/id/23611/rec/61</a></div>
</div>
<div><br>
</div>
<div>This edition appeared just before NBC began full-scale time
zone delay in Burbank using mostly Ampex VR-1000 units with
RCA-developed color circuitry.</div>
<div><br>
</div>
</div>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0
40px; border: none; padding: 0px;">
<div>
<div>In the article "Engineering Color Videotape
Recording," A. H. Lind outlines the Quadruplex recording
process, RCA's TRT-1 development, and RCA's approach to
obtaining stabilized color playback. </div>
</div>
<div><br>
</div>
<div>"<span class="Apple-style-span" style="font-size: 12px; ">The
basic technique is to cancel out time "jitter" in the
chrominance signal by translating it to a higher frequency
spectrum and then heterodyning this translated signal with a
signal which also contains the jitter and is of such a
frequency that the difference signal frequencies fall back
into the original frequency band. If this signal is derived
from a signal recorded on the tape, it will contain the same
time jitter effects as those in translated chrominance
signal, but the difference signal obtained by heterodyning
will be free of the jitter because the errors have been
cancelled by subtraction.</span>" </div>
<div><br>
</div>
<div>He concludes by noting that "<span class="Apple-style-span"
style="font-size: 14px; ">Special credit is due the RCA
Laboratories for the color processing technique.</span>"</div>
<div><br>
</div>
</blockquote>
<div>
<div>Television Tape Head manufacturing is described in great
detail in RCA Engineer's April/May 1961 edition:</div>
<div><a moz-do-not-send="true"
href="http://digital.hagley.org/cdm/compoundobject/collection/p16038coll11/id/27401/rec/1">http://digital.hagley.org/cdm/compoundobject/collection/p16038coll11/id/27401/rec/1</a></div>
</div>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0
40px; border: none; padding: 0px;">
<div>
<div> Click on Page 15 for the article.</div>
</div>
<div><br>
</div>
<div>This is a good article to read in case anyone wonders why
it costs what it costs to refurbish Quad video heads. The
precision needed is quite... intense. As is the technical
detail in the article.</div>
</blockquote>
<div>
<div><br>
</div>
<div>TV Tape at NBC is described on Page 4 of the <a
moz-do-not-send="true"
href="http://digital.hagley.org/cdm/compoundobject/collection/p16038coll11/id/27460/rec/12">June/July
1961 issue of RCA Engineer</a>.</div>
<div><a moz-do-not-send="true"
href="http://digital.hagley.org/cdm/compoundobject/collection/p16038coll11/id/27460/rec/12">http://digital.hagley.org/cdm/compoundobject/collection/p16038coll11/id/27460/rec/12</a></div>
</div>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0
40px; border: none; padding: 0px;">
<div>
<div><br>
</div>
<div>Written three years after NBC began time zone delay in
1958, it offers a glimpse of how the network was actually
several networks, patched together at different times for
transmission in different dayparts.</div>
</div>
<div><br>
</div>
<div>How NBC used recorders in New York and Burbank to achieve
program delay during daylight savings time (DST) involves the
use of three "networks." </div>
<div><br>
</div>
</blockquote>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0
40px; border: none; padding: 0px;">
<blockquote class="webkit-indent-blockquote" style="margin: 0 0
0 40px; border: none; padding: 0px;">
<div>The "A" network—or "live" network—received the live feed
from NY covering eastern and central US areas on DST. NY
and Burbank both rolled two tapes each.</div>
<div><br>
</div>
<div>A "B" network was fed tape playback from NY delayed an
hour for southern and central areas <i>not</i> on DST. Two
tapes were running in sync during TZD to avoid glitches.</div>
<div><br>
</div>
<div>Burbank played the A network feed to the western "C"
network three hours after the NY start time.</div>
<div> </div>
<div>Shows that originated live in Burbank would be performed
at the correct NY start time and fed to the A network,
recorded in NY and Burbank, and then played for the "B" and
"C" nets as outlined above.</div>
<div><br>
</div>
<div>Viewership (and resulting ratings-related revenue) for
shows in the B-network areas was improved by delaying an
hour. It avoided people being outside when say, an 8pm DST
show would have occurred at 7pm in their area.</div>
</blockquote>
</blockquote>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0
40px; border: none; padding: 0px;">
<div><br>
</div>
<div>NBC's development of the successful "EditSync" off-line
editing technique used on hundreds of shows is outlined in the
article.</div>
<div><br>
</div>
<div>The extremes taken to maintain the same picture quality
over days of taping a single show are relayed, using the 1960
presentation of "Peter Pan" as an example. Star Mary Martin
was appearing on Broadway in "The Sound of Music," so the
recording sessions had to be scheduled around her
performances.</div>
<div><br>
</div>
<div>William Howard and Robert Mausler write:</div>
<div><br>
</div>
</blockquote>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0
40px; border: none; padding: 0px;">
<blockquote class="webkit-indent-blockquote" style="margin: 0 0
0 40px; border: none; padding: 0px;">
<div style="font-size: 12px; ">"Peter Pan is a show which was
done in three different color studios; the Ziegfeld Theatre,
located in Manhattan, and Studios I and II in Brooklyn, with
the taping done over the period of nine days.</div>
</blockquote>
<blockquote class="webkit-indent-blockquote" style="margin-top:
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 40px;
border-top-style: none; border-right-style: none;
border-bottom-style: none; border-left-style: none;
border-width: initial; border-color: initial; padding-top:
0px; padding-right: 0px; padding-bottom: 0px; padding-left:
0px; font-size: 12px; ">
<div><br>
</div>
</blockquote>
<blockquote class="webkit-indent-blockquote" style="margin-top:
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 40px;
border-top-style: none; border-right-style: none;
border-bottom-style: none; border-left-style: none;
border-width: initial; border-color: initial; padding-top:
0px; padding-right: 0px; padding-bottom: 0px; padding-left:
0px; font-size: 12px; ">
<div>Taping a two-hour show, done in three different color
studios, extending over nine days, is a formidable
undertaking. In addition to studio lighting problems,
special precautions were demanded to insure matched
luminance and chroma levels at the studio control room and
TV tape room, if the successive tapings were to be free of
flesh-tone changes or other color differences. </div>
</blockquote>
<blockquote class="webkit-indent-blockquote" style="margin-top:
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 40px;
border-top-style: none; border-right-style: none;
border-bottom-style: none; border-left-style: none;
border-width: initial; border-color: initial; padding-top:
0px; padding-right: 0px; padding-bottom: 0px; padding-left:
0px; font-size: 12px; ">
<div><br>
</div>
</blockquote>
<blockquote class="webkit-indent-blockquote" style="margin-top:
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 40px;
border-top-style: none; border-right-style: none;
border-bottom-style: none; border-left-style: none;
border-width: initial; border-color: initial; padding-top:
0px; padding-right: 0px; padding-bottom: 0px; padding-left:
0px; font-size: 12px; ">
<div>All line equalizers, TV tape recording heads, and other
circuit equalizers were logged, in an attempt to exercise as
close a control as possible over signal-transmission
characteristics."</div>
</blockquote>
<div><br>
</div>
<div>Differences between individual videotapes could cause as
much as a 20% difference in chroma level, they report. So NBC
used only the same tape recorders for the entire batch of
sessions, and assigned specific headwheel panels for Peter Pan
use, only... then stored them for later playback.</div>
<div><br>
</div>
</blockquote>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0
40px; border: none; padding: 0px;">
<div>NBC developed a procedure to match color from day to day,
using a reference tape with the NBC Color Girl and bars,
coupled with recordings made on the same piece of tape at the
beginning of sessions. The "day-of-session" tests were played
back to the video engineer so he could shade the studio's
cameras to match the tape.</div>
<div><br>
</div>
<div>What's not stated... but I seem to recall... is that back
then NBC did all its NY recording at 30 Rockefeller Plaza,
even though the studios were across town (or the East River in
the case of <a moz-do-not-send="true"
href="http://en.wikipedia.org/wiki/Midwood,_Brooklyn#Television">the
NBC Brooklyn studios</a> in the Midwood section.)</div>
<div><br>
</div>
<div>For some reason, the amount of tape used is quoted in feet,
not hours or minutes.</div>
</blockquote>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0
40px; border: none; padding: 0px;">
<blockquote class="webkit-indent-blockquote" style="margin: 0 0
0 40px; border: none; padding: 0px;">
<div><br>
</div>
</blockquote>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0
0 40px; border: none; padding: 0px;">
<div>At 15 inches per second, 62,800 feet of tape seems to be
13.95 hours of recording for a two-hour show.</div>
</blockquote>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0
0 40px; border: none; padding: 0px;">
<div><br>
</div>
</blockquote>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0
0 40px; border: none; padding: 0px;">
<div>It would be interesting to know how they deployed the
tape used, and what sort of production and post techniques
were involved. Also where the tape elements are today.</div>
</blockquote>
</blockquote>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0
40px; border: none; padding: 0px;">
<div><br>
</div>
<div>Howard and Mausler say that television tape made possible
NBC programs that would have been harder or impossible to do
live. They note the Jack Parr "Tonight" show taped Monday
through Thursday in the early evening, with and edited "Best
of.." show airing on Friday.</div>
<div><br>
</div>
<div>We're accustomed to the morning counterpart, "Today"
originating live in the Eastern time zone, with time zone
delay in other parts of the country. </div>
<div><br>
</div>
<div>In 1961, did they do "Today," yesterday? The article
says: </div>
<div><br>
</div>
</blockquote>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0
40px; border: none; padding: 0px;">
<blockquote class="webkit-indent-blockquote" style="margin: 0 0
0 40px; border: none; padding: 0px;">
<div style="font-size: 16px; ">"<span class="Apple-style-span"
style="font-size: 14px; ">The Today Show is taped five
days a week for playback on the network early the next
morning.</span>" </div>
</blockquote>
</blockquote>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0
40px; border: none; padding: 0px;">
<div><br>
</div>
<div>Maybe Today Show editor Dennis Degan can provide some
insight into the 1961 practices.</div>
<div><br>
</div>
</blockquote>
<div>
<div>And in the June/July 1973 issue of RCA Engineer...</div>
<div><a moz-do-not-send="true"
href="http://digital.hagley.org/cdm/compoundobject/collection/p16038coll11/id/25049/rec/1">http://digital.hagley.org/cdm/compoundobject/collection/p16038coll11/id/25049/rec/1</a></div>
</div>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0
40px; border: none; padding: 0px;">
<div>
<div><br>
</div>
<div>R. N Hurst describes RCA's development of the TCR-100
Quad cart machine. </div>
<div><br>
</div>
<div>If you click on Page 78 (to see Page 77 of the magazine)
you'll see three pictures at the bottom of the page. I'll
bring Figure 3 to the Quad Videotape Group Annual Lunch at
NAB. (Note to self... pack now.)</div>
<div><br>
</div>
<div>It was one of several items Robert Hurst's son, QuadList
member Norm Hurst made available via a <a
moz-do-not-send="true"
href="http://mail.quadvideotapegroup.com/pipermail/quadlist_quadvideotapegroup.com/2010-November/003276.html">November
22, 2010 post</a> to the QuadList.</div>
</div>
</blockquote>
<div>
<div><br>
</div>
<div>Which kind of brings the list back around to a question I
posed of Norm... regarding RCA Labs Heterodyne Color, and his
answer about the Sarnoff archives being dismantled.</div>
<div><br>
</div>
<div>We know where things went, and with the digitization being
presented via the Hagley Museum and Library, have the ability
to enjoy some of the Sarnoff Library artifacts from home.</div>
<div><br>
</div>
<div>Enjoy!</div>
<div><br>
</div>
Perhaps some similar funding can someday (soon?) help unlock the
information within the Ampex collection at Stanford University.<br>
<br>
<div>
<div style="word-wrap: break-word; -webkit-nbsp-mode: space;
-webkit-line-break: after-white-space; ">
<div style="word-wrap: break-word; -webkit-nbsp-mode: space;
-webkit-line-break: after-white-space; ">
<div style="word-wrap: break-word; -webkit-nbsp-mode:
space; -webkit-line-break: after-white-space; ">
<div style="word-wrap: break-word; -webkit-nbsp-mode:
space; -webkit-line-break: after-white-space; ">
<div style="word-wrap: break-word; -webkit-nbsp-mode:
space; -webkit-line-break: after-white-space; ">
<div style="word-wrap: break-word;
-webkit-nbsp-mode: space; -webkit-line-break:
after-white-space; ">
<div style="word-wrap: break-word;
-webkit-nbsp-mode: space; -webkit-line-break:
after-white-space; ">
<div>
<div>
<div style="word-wrap: break-word;
-webkit-nbsp-mode: space;
-webkit-line-break: after-white-space; ">
<div style="word-wrap: break-word;
-webkit-nbsp-mode: space;
-webkit-line-break: after-white-space; ">
<div style="font-size: 14px; "><font
class="Apple-style-span" size="3"><span
class="Apple-style-span"
style="font-size: 12px; ">Ted
Langdell</span></font></div>
<div style="font-size: 14px; "><span
class="Apple-style-span"
style="font-size: 12px; ">Secretary</span></div>
<div style="font-size: 14px; "><font
class="Apple-style-span" size="3"><span
class="Apple-style-span"
style="font-size: 12px; ">Skype: <span
class="Apple-tab-span"
style="white-space: pre; "> </span>TedLangdell</span></font></div>
<div style="font-size: 14px; "><font
class="Apple-style-span" size="3"><span
class="Apple-style-span"
style="font-size: 12px; ">e-mail:<span
class="Apple-tab-span"
style="white-space: pre; "> </span><a
moz-do-not-send="true"
href="mailto:ted@quadvideotapegroup.com">ted@quadvideotapegroup.com</a></span></font></div>
<div style="font-size: 14px; "><font
class="Apple-style-span" size="3"><br>
</font></div>
</div>
</div>
</div>
</div>
</div>
</div>
<div style="font-size: medium; line-height: normal;
word-wrap: break-word; -webkit-nbsp-mode: space;
-webkit-line-break: after-white-space; ">
<div style="word-wrap: break-word;
-webkit-nbsp-mode: space; -webkit-line-break:
after-white-space; ">
<div>
<div style="font-size: medium; ">
<div>
<div style="word-wrap: break-word;
-webkit-nbsp-mode: space;
-webkit-line-break: after-white-space; ">
<div style="word-wrap: break-word;
-webkit-nbsp-mode: space;
-webkit-line-break: after-white-space;
">
<div style="word-wrap: break-word;
-webkit-nbsp-mode: space;
-webkit-line-break:
after-white-space; ">
<div style="word-wrap: break-word;
-webkit-nbsp-mode: space;
-webkit-line-break:
after-white-space; ">
<div>
<div>
<div>
<div>
<div style="margin-top:
0px; margin-right: 0px;
margin-bottom: 0px;
margin-left: 0px; font:
normal normal normal
12px/normal Helvetica;
line-height: 19px; "><font
class="Apple-style-span" size="3">
<div style="color:
rgb(0, 0, 0);
margin-top: 0px;
margin-right: 0px;
margin-bottom: 0px;
margin-left: 0px;
font: normal normal
normal 12px/normal
Helvetica; ">Annual
Lunch at NAB at
12:30pm on Tuesday,
April 08, location
TBA: </div>
</font></div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
<div><span class="Apple-style-span" style="border-collapse:
separate; color: rgb(0, 0, 0); font-family: Helvetica;
font-style: normal; font-variant: normal; font-weight:
normal; letter-spacing: normal; line-height: normal;
orphans: 2; text-align: -webkit-auto; text-indent: 0px;
text-transform: none; white-space: normal; widows: 2;
word-spacing: 0px; -webkit-border-horizontal-spacing: 0px;
-webkit-border-vertical-spacing: 0px;
-webkit-text-decorations-in-effect: none;
-webkit-text-size-adjust: auto; -webkit-text-stroke-width:
0px; font-size: medium; ">
<div style="word-wrap: break-word; -webkit-nbsp-mode:
space; -webkit-line-break: after-white-space; ">
<blockquote class="webkit-indent-blockquote"
style="margin-top: 0px; margin-right: 0px;
margin-bottom: 0px; margin-left: 40px;
border-top-style: none; border-right-style: none;
border-bottom-style: none; border-left-style: none;
border-width: initial; border-color: initial;
padding-top: 0px; padding-right: 0px; padding-bottom:
0px; padding-left: 0px; "><span
class="Apple-style-span" style="font-size: 15px; "><span
class="Apple-style-span" style="font-size: 12px;
line-height: 19px; "><a moz-do-not-send="true"
href="http://nab14.mapyourshow.com/5_0/exhibitor_details.cfm?exhid=992"
style="font-weight: normal; ">NAB 2014, Las
Vegas</a><span class="Apple-style-span"
style="font-weight: normal; line-height: normal;
">, April 7-10, 2014</span></span></span></blockquote>
</div>
</span>
<div style="word-wrap: break-word; -webkit-nbsp-mode: space;
-webkit-line-break: after-white-space; ">
<blockquote class="webkit-indent-blockquote"
style="font-weight: normal; margin-top: 0px;
margin-right: 0px; margin-bottom: 0px; margin-left:
40px; border-top-style: none; border-right-style: none;
border-bottom-style: none; border-left-style: none;
border-width: initial; border-color: initial;
padding-top: 0px; padding-right: 0px; padding-bottom:
0px; padding-left: 0px; font-size: 11px; "><span
class="Apple-style-span" style="font-size: 12px; ">Free </span><span
class="Apple-style-span" style="font-size: 12px; "><a
moz-do-not-send="true"
href="http://registration3.experientevent.com/showNAB141/default.aspx?App=EO&Passcode=LV9822">Exhibits
Pass registration</a>! Use our number: LV9822. Free
passes end March 21</span></blockquote>
</div>
<div style="word-wrap: break-word; -webkit-nbsp-mode: space;
-webkit-line-break: after-white-space; "><span
class="Apple-style-span" style="border-collapse:
separate; color: rgb(0, 0, 0); font-family: Helvetica;
font-style: normal; font-variant: normal; font-weight:
normal; letter-spacing: normal; line-height: normal;
orphans: 2; text-align: -webkit-auto; text-indent: 0px;
text-transform: none; white-space: normal; widows: 2;
word-spacing: 0px; -webkit-border-horizontal-spacing:
0px; -webkit-border-vertical-spacing: 0px;
-webkit-text-decorations-in-effect: none;
-webkit-text-size-adjust: auto;
-webkit-text-stroke-width: 0px; font-size: medium; ">
<div style="word-wrap: break-word; -webkit-nbsp-mode:
space; -webkit-line-break: after-white-space; "><br
class="Apple-interchange-newline">
</div>
</span></div>
</div>
<br class="Apple-interchange-newline">
</div>
<br>
</div>
<br>
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