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<DIV>an autoswitch? that is indeed neat!</DIV>
<DIV> </DIV>
<DIV>ok yes am dealing with 1/2 reel to reel
stuff... after my success with the archival Allen
Ginsberg footage I did I am getting pretty
enthused!</DIV>
<DIV> </DIV>
<DIV>In a message dated 12/12/2011 5:38:43 P.M. US Mountain Standard Time,
park@videopark.com writes:</DIV>
<BLOCKQUOTE
style="BORDER-LEFT: blue 2px solid; PADDING-LEFT: 5px; MARGIN-LEFT: 5px"><FONT
style="BACKGROUND-COLOR: transparent" color=#000000 size=2 face=Arial>Like
Chris was saying, different applications require different procs. The 7510 was
designed to hang on their output of a sat receiver or network feed to make
sure the incoming signal was to spec. It has a switch that if you lost video,
it cold switch to another source.<BR>
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<DIV><BR class=Apple-interchange-newline>Best,</DIV>
<DIV>Park</DIV>
<DIV><BR></DIV></DIV>
<DIV>C. Park Seward</DIV>
<DIV>Cell: 818-535-2747</DIV>
<DIV>Home: 541-476-6657</DIV>
<DIV>2" Quad and 1" "C" transfers</DIV>
<DIV>The Transfer Lab at Video Park</DIV>
<DIV>Visit us: <A title=http://www.videopark.com/
href="http://www.videopark.com/">http://www.videopark.com</A></DIV></SPAN></DIV></SPAN></DIV></SPAN></SPAN><BR
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<DIV>
<DIV>On Dec 12, 2011, at 4:12 PM, <A title=mailto:COURYHOUSE@aol.com
href="mailto:COURYHOUSE@aol.com">COURYHOUSE@aol.com</A> wrote:</DIV><BR
class=Apple-interchange-newline>
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<DIV><FONT style="BACKGROUND-COLOR: transparent" color=#000000 size=2
face=Arial>What is the difference between the 7510
and the 3240?</FONT></DIV>
<DIV> </DIV>
<DIV>I will look to see if I have any of those...</DIV>
<DIV>thanks folks!</DIV>
<DIV> </DIV>
<DIV>Ed#</DIV>
<DIV><FONT style="BACKGROUND-COLOR: transparent" color=#000000 size=2
face=Arial></FONT> </DIV>
<DIV><FONT style="BACKGROUND-COLOR: transparent" color=#000000 size=2
face=Arial>Hi Park:</FONT></DIV><FONT style="BACKGROUND-COLOR: transparent"
color=#000000 size=2 face=Arial></FONT>
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style="BORDER-LEFT: blue 2px solid; PADDING-LEFT: 5px; MARGIN-LEFT: 5px"><FONT
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<DIV> </DIV>
<DIV>Good info! The 7510 is a different design that I had not
tried. I am guessing that the 1/2" that Ed is talking about is EIAJ
reel to reel, which can be pretty ugly. Would be interesting to know
if the 7510 could hold onto it. Another consideration is how
"tightly" the regenerated sync is locked to the source. I've seen
instances where the proc amp worked, but because the timing relationship
of the new sync to the original sync was not exact, the TBC could correct
only the error that was contained in the
regenerated signal. </DIV>
<DIV> </DIV>
<DIV>Again, assuming that in Ed's case we are talking about B&W, then
color isn't an issue, but many (most? all?) "broadcast" proc amps
can't handle chroma that isn't locked to sync. </DIV>
<DIV> </DIV>
<DIV>When dealing with old format transfers, it certainly is helpful to
have a variety of "boxes" to try in different configurations.
Sometimes you just never know what combination of devices may be able to
solve a problem!</DIV>
<DIV> </DIV>
<DIV>Don Norwood<BR>Digitrak Communications, Inc.<BR><A
title=http://www.digitrakcom.com/
href="http://www.digitrakcom.com/">www.digitrakcom.com</A></DIV></FONT></BLOCKQUOTE></DIV>
<DIV></DIV></DIV>
<DIV> </DIV>
<DIV><FONT size=2 ptsize="10">Thanks,<BR><BR>Ed Sharpe, Archivist for SMECC
<BR><BR>See the Museum's Web Site at <A title=http://www.smecc.org/
href="http://www.smecc.org/">www.smecc.org</A><BR><BR>We are always looking
for items to add to the museum's display and ref. library - please advise if
you have anything we can use.<BR><BR>Coury House / SMECC<BR>5802 W. Palmaire
Ave. Phone 623-435-1522<BR>Glendale Az 85301
USA<BR><BR><BR><BR><BR>CONFIDENZIALE: Questo messaggio e gli eventuali
allegati sono confidenziali<BR>e riservati. Se vi è stato recapitato per
errore e non siete fra i<BR>destinatari elencati, siete pregati di darne
immediatamente avviso al<BR>mittente. Le informazioni contenute non devono
essere mostrate ad altri, né<BR>utilizzate, memorizzate o copiate in
qualsiasi forma.<BR><BR>CONFIDENTIAL: This e-mail and any attachments are
confidential and may<BR>contain reserved information. If you are not one of
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should not disclose the<BR>contents to any other persons, nor should the
information contained be used<BR>for any purpose or stored or copied in any
form.<BR><BR></FONT></DIV></FONT></DIV>_______________________________________________<BR>Please
trim posts to relevant info when replying!<BR>Send QuadList list posts to <A
title=mailto:QuadList@quadvideotapegroup.com
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subscribe, unsubscribe and digest options are here:<BR><A
title=http://mail.quadvideotapegroup.com/mailman/listinfo/quadlist_quadvideotapegroup.com
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<DIV></DIV></DIV>
<DIV> </DIV>
<DIV><FONT size=2 PTSIZE="10">Thanks,<BR><BR>Ed Sharpe, Archivist for SMECC
<BR><BR>See the Museum's Web Site at <A
href="http://www.smecc.org/">www.smecc.org</A><BR><BR>We are always looking for
items to add to the museum's display and ref. library - please advise if you
have anything we can use.<BR><BR>Coury House / SMECC<BR>5802 W. Palmaire Ave.
Phone 623-435-1522<BR>Glendale Az 85301 USA<BR><BR><BR><BR><BR>CONFIDENZIALE:
Questo messaggio e gli eventuali allegati sono confidenziali<BR>e riservati. Se
vi è stato recapitato per errore e non siete fra i<BR>destinatari elencati,
siete pregati di darne immediatamente avviso al<BR>mittente. Le informazioni
contenute non devono essere mostrate ad altri, né<BR>utilizzate, memorizzate o
copiate in qualsiasi forma.<BR><BR>CONFIDENTIAL: This e-mail and any attachments
are confidential and may<BR>contain reserved information. If you are not one of
the named recipients,<BR>please notify the sender immediately. Moreover, you
should not disclose the<BR>contents to any other persons, nor should the
information contained be used<BR>for any purpose or stored or copied in any
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