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<div><FONT face="Arial, Helvetica, sans-serif">I have found that making audio edits especially with continuous music is almost impossible to do without any sort of "Tweet" or "Chirp" even with the AF audio edit mod installed. After an evening of screwing around with one session, I convinced the director to lay down the complete audio track and then insert video as needed. That worked fine. I think it was an older CMX 340?? You can fool your eyes, but not your ears.</FONT></div>
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<div>G. Keller<br>
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<div style="FONT-FAMILY: arial,helvetica; COLOR: black; FONT-SIZE: 10pt">-----Original Message-----<br>
From: Ted Langdell <ted@quadvideotapegroup.com><br>
To: Quad List <quadlist@quadvideotapegroup.com><br>
Sent: Thu, Dec 2, 2010 12:39 am<br>
Subject: Re: [QuadList] Mechanical Splices<br>
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<div>On Dec 1, 2010, at 8:22 PM, David Crosthwait wrote about the 1959 Cyd Charisse special from 1959:</div>
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<BLOCKQUOTE type="cite">On the Cyd Charisse (1959 color) presentation, such a system of post pix edit audio conform was used throughout the program, but was especially critical in the first dance scene, which was heavily spliced. The music track that Cyd danced to was consistent and uninterrupted by the physical cuts.</BLOCKQUOTE>
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<div>David</div>
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Can you explain how that was done?
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<div>Ted<br>
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<div style="MARGIN: 0px"><FONT style="FONT: 12px Helvetica" size=3 face=Helvetica>Ted Langdell</FONT></div>
<div style="MARGIN: 0px"><FONT style="FONT: 12px Helvetica" size=3 face=Helvetica>Secretary</FONT></div>
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