<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Wow, <div><br><div>Haven't thought about ADO's in a while.<div>I used a very special ADO that had been modified to take, I believe, RGB as an input. </div><div>This was attached to a Bosch FDL 60 telecine in Chicago in 1985. It was a needed so we could compete against the Ranks 3C that had the ability to reposition the scan on the tube to adjust picture positioning. </div><div>Kept me in the ball game with clients and held up pretty well as far as picture quality was concerned. Had better programing than the Ranks' zoom controls. Made the tape editors crazy cause I could zoom farther with the RGB input off the film. If I remember we were able to get almost the full 35mm frame and had to blow up slightly to get to normal framing.</div><div><br></div><div>I was interviewed back then for a write up on the modification for telecine use. Can't recall what the publication was. Have to see if I have it somewhere.</div><div><br></div><div>I know now who to thank.</div><div><br></div><div>Bob Campbell</div><div>Colorist<br><div><div><blockquote type="cite"><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><div><blockquote type="cite"><font color="black" size="2" face="arial"><div><div style="font-family:helvetica,arial; font-size: 10pt; color:black"> <!-- end of AOLMsgPart_0_cde90e44-7fda-43cb-bf2a-f0c944d4a7b2 --> </div> </div> </font></blockquote></div></div></div></blockquote></div><br></div></div></div></div></body></html>