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<DIV>Hi Bill:</DIV>
<DIV> </DIV>
<DIV>Any idea how they got the slo-mo output from the 7800 into a broadcast
format? The only way I'm aware of at that time would have been an
"Optical TBC".</DIV>
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<DIV>Don</DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=wcarpen107@yahoo.com href="mailto:wcarpen107@yahoo.com">Bill
Carpenter</A> </DIV>
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<DIV>All I know is that the first Olympics that I worked, was in Mexico City
in 68, and I was working with the Philippines, ABS/CBN, who were recording
Wrestling on VR-7800's in monochrome, then air shipping tapes back to Manila,
and building a longer show with the VR-7800 slo-motion. <BR>I had worked in
May of 1968, in Manila, doing a two week, three machine, VR-7800
training/installation at ABS/CBN<BR>In Mexico, all of the International
Broadcast Center, installations had special side tables, alongside each
VR-1200 which held the Smith's mechanical
splicer.</DIV></DIV></BLOCKQUOTE></BODY></HTML>