<FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0"><br></FONT><DIV ALIGN="LEFT"><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0">      On Mon, Dec 29, 2008 at  6:47 PM, Don Norwood wrote:</FONT></DIV><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0"><br></FONT><DIV ALIGN="LEFT"><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0">> I think there may be some confusion as to what types of quad recordings have been discussed.</FONT></DIV><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0"><br></FONT><DIV ALIGN="LEFT"><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0">      I say:</FONT></DIV><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0"><br></FONT><DIV ALIGN="LEFT"><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0">   Thanks for the clarification, Don.  I entered the TV industry in 1973, long after the demise of Het color & LB color.  I thought I understood it.  Obviously, I didn't.  I appreciate the background info on how Ampex and RCA recorded and played color back in the early days.</FONT></DIV><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0"><br></FONT><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0"><br></FONT><DIV ALIGN="LEFT"><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0">                 Dennis Degan, Editor-Consultant-Knowledge Bank</FONT></DIV><DIV ALIGN="LEFT"><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0">                              NBC Today Show, New York</FONT></DIV>